{"id":2,"date":"2021-10-17T17:38:33","date_gmt":"2021-10-17T17:38:33","guid":{"rendered":"https:\/\/klorrainegraham.com\/?page_id=2"},"modified":"2021-10-17T18:37:31","modified_gmt":"2021-10-17T18:37:31","slug":"cv","status":"publish","type":"page","link":"https:\/\/klorrainegraham.com\/index.php\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"

EXHIBITIONS<\/b><\/p>\n

2021 \u2013 But_Also, \u201c<\/span>Posters,<\/span><\/a>\u201d Washington, D.C. Curated by Nancy Daly and Rex Delafkaran<\/span><\/p>\n

2019-20 \u2013 STABLE, \u201c<\/span>Dialogues<\/span><\/a>,\u201d Washington, DC. Curated by Jordan Amirkhani<\/span><\/p>\n

2016 \u2013 D.C. Arts Center Nano Gallery, \u201c<\/span>Facebook Photos by Poets<\/span><\/a>,\u201d Washington, D.C. Curated by Phyllis Rosenzweig<\/span><\/p>\n

2015 \u2013 Washington Printmakers Gallery, \u201c<\/span>Deceptively Obvious<\/span><\/a>\u201d Washington, D.C.<\/span><\/p>\n

2015 \u2013 Open Studio D.C., \u201cDeceptively Obvious\u201d Washington, D.C.<\/span><\/p>\n

2010 \u2013 Los Angeles Contemporary Exhibitions (LACE) \u201c<\/span>Unnatural Acts<\/span><\/a>\u201d Los Angeles, CA. USA<\/span><\/p>\n

2009 \u2013 Maison des Cultures \u201c<\/span>Infusoria: Women\u2019s Visual Poetry<\/span><\/a>\u201d Brussels, Belgium<\/span><\/p>\n

2009 \u2013 Het Zilverhof \u201cInfusoria: Women\u2019s Visual Poetry \u201d Ghent, Belgium<\/span><\/p>\n

 <\/p>\n

SELECTED PERFORMANCES<\/b><\/p>\n

Oct 2011 \u2013 \u201cBad Princess Poetry Walk\u201d (by Kate Durbin), <\/span>West Hollywood Book Fair<\/span><\/i>, Hollywood, C.A.<\/span><\/p>\n

Apr 2010 \u2013 \u201cWhite Girl.\u201d <\/span>Post Moot II Literary Festival<\/span><\/i>, University Miami of Ohio<\/span><\/p>\n

Feb 2010 \u2013 \u201cMum,\u201d <\/span>Department of Theater and Dance<\/span><\/i>, University of California, San Diego<\/span><\/p>\n

 <\/p>\n

PUBLICATIONS<\/b><\/p>\n

Books<\/b><\/p>\n

2021 \u2013 <\/span>Semiotic Squares<\/span><\/i>. Washington, D.C., Primary Writing<\/span><\/p>\n

2018 \u2013 <\/span>from Feed<\/span><\/i>. New York, NY, <\/span>Belladonna* And\/With<\/span><\/a><\/p>\n

2017 \u2013 <\/span>The Rest Is Censored<\/span><\/i>. New York, NY, <\/span>Bloof Books<\/span><\/a><\/p>\n

2013 \u2013 <\/span>My Little Neoliberal Pony<\/span><\/i>. Los Angeles, CA, <\/span>Insert Press<\/span><\/a>\u00a0<\/span><\/p>\n

2012 \u2013 <\/span>Large Waves to Large Obstacles<\/span><\/i>. Switzerland, <\/span>Dusie Kollektiv<\/span><\/a><\/p>\n

2011 \u2013<\/span> And so for you there is no heartbreak<\/span><\/i>. Switzerland,\u00a0 <\/span>Dusie Kollektiv<\/span><\/a><\/p>\n

2009 \u2013 <\/span>Terminal Humming<\/span><\/i>. Washington, D.C., <\/span>Edge Books<\/span><\/a><\/p>\n

Selected journals, magazines & anthologies<\/b><\/p>\n

2017 \u2013 <\/span>Flarf: An Anthology of Flarf<\/span><\/i>. Washington, DC, <\/span>Edge Books<\/span><\/a> (edited by Drew Gardner, Nada Gordon, Sharon Mesmer, K. Silem Mohammad, and Gary Sullivan).<\/span><\/p>\n

2017 \u2013 \u201cFrom <\/span>The Rest Is Censored<\/span><\/i>.\u201d <\/span>Omniverse<\/span><\/i><\/a>. September 18, 2017<\/span><\/p>\n

2016 \u2013 \u201cFrom <\/span>Feed<\/span><\/i>.\u201d <\/span>Eleven Eleven<\/span><\/i>, No. 21<\/span><\/p>\n

2015 \u2013 \u201cConversation with Jessica Smith.\u201d <\/span>The Women in Visual Poetry: The Bechdel Tes<\/span><\/i>t<\/span><\/a>, Essay Press, (edited by Jessica Smith)<\/span><\/p>\n

2015 \u2013 \u201cThe Bus Driver Stops.\u201d Deceptively Obvious: A Collaborative Portfolio with Graduates of the G.W. Corcoran School of Art and Design. (With Elizabeth Black).<\/span><\/p>\n

2015 \u2013 Gina Myers, \u201c<\/span>I Don\u2019t Know How to Live<\/span><\/a>.\u201d <\/span>Harriet<\/span><\/i>, Apr 17, 2015<\/span><\/p>\n

2013 \u2013 \u201cFrom <\/span>Graph<\/span><\/i>,\u201d <\/span>Postmodern Culture: Special Issue on Debt<\/span><\/i>, Vol. 21, No. 3, May 2013, DOI: <\/span>10.1353\/pmc.2013.0048<\/span><\/a><\/p>\n

2013 \u2013 \u201cFrom <\/span>It\u2019s Baseball Season in America<\/span><\/i>.\u201d <\/span>Mrs. Maybe<\/span><\/i><\/p>\n

2010 \u2013 \u201cFrom <\/span>Clanging Symbols<\/span><\/i>.\u201d <\/span>Eleven Eleven<\/span><\/i>, No. 9<\/span><\/p>\n

2010 \u2013 <\/span>Emohippus Greeting Card\u2014Fourth Series<\/span><\/i>. Emohippus, Los Angeles, CA<\/span><\/p>\n

 <\/p>\n

SELECTED BIBLIOGRAPHY<\/b><\/p>\n

2019 \u2013 Rob Mclennan, \u201cInterview,\u201d <\/span>12 or 20 Questions<\/span><\/i>\u00a0<\/span><\/p>\n

2018 \u2013 Gen\u00e8ve Chao, \u201c<\/span>Permanently Empowered<\/span><\/a>,\u201d Real Chaos Astrology Book Reviews, Vol. 2<\/span><\/p>\n

2017 \u2013 Joseph Thomas, \u201cBe Kind or Stupid,\u201d <\/span>More Words about Pictures: Current Research on Picturebooks and Visual\/Verbal Texts for Young People<\/span><\/i>, ed. Perry Nodelman, Naomi Hamer and Mavis Reimer, p. 203<\/span><\/p>\n

2013 \u2013 Judith Goldman \u201c\u2018Today I Am Worth\u2019: K. Lorraine Graham\u2019s \u2018Graph\u2019\u201d <\/span>Postmodern Culture: Special Issue on Debt<\/span><\/i>, Vol. 21, No. 3, May 2013, DOI: <\/span>10.1353\/pmc.2013.0045<\/span><\/a><\/p>\n

2009 \u2013 Elisa Gabbert, \u201cThe French Exit Interview,\u201d <\/span>The French Exit<\/span><\/i><\/p>\n

 <\/p>\n

SELECTED TALKS & LECTURES<\/b><\/p>\n

Feb 2020 \u2013 \u201cLanguage,\u201d Dialogues Lecture Series, STABLE, Washington, D.C.<\/span><\/p>\n

Apr 2019\u00a0 \u2013 \u201cForm as Performance,\u201d New Orleans Poetry Festival, New Orleans, LA<\/span><\/p>\n

Apr 2018 \u2013 \u201cExperiments in Intimacy: The Visual Poetics of Femme Friendship,\u201d Panel Organizer, New Orleans Poetry Festival, New Orleans, L.A.<\/span><\/p>\n

Apr 2015 \u2013 \u201cPractical Advice on Writing,\u201d Panel Organizer, Conversations and Connections, Washington, D.C.<\/span><\/p>\n

Dec 2015 \u2013 \u201c25 Years In Your Ear,\u201d In Your Ear, D.C. Arts Center, Washington, D.C.<\/span><\/p>\n

Oct 2013 \u2013 \u201cOperatic Suffering (On Dodie Bellamy)\u201d St. Bonaventure Visiting Poets Series, Allegany, N.Y.<\/span><\/p>\n

Mar 2012 \u2013 \u201cBuilding & Surviving an Innovative MFA Program.\u201d Panel Organizer, Annual Conference of the Association for Writers & Writing Programs, Chicago, IL<\/span><\/p>\n

Oct 2011 \u2013 \u201cSan Diego\u2019s Social Literary Geography.\u201d Panel Organizer, &NOW, UCSD, San Diego, C.A.<\/span><\/p>\n

 <\/p>\n

SELECTED READINGS<\/b><\/p>\n

May 2021\u00a0 \u2013\u00a0 Bloof Books Reading, 215 Festival, Philadelphia, PA<\/span><\/p>\n

Feb 2020 \u2013 \u201cLanguage,\u201d Dialogues Lecture Series, STABLE, Washington, D.C.<\/span><\/p>\n

Apr 2018 \u2013 \u201cCoven Reading,\u201d <\/span>New Orleans Poetry Festival<\/span><\/i>, New Orleans, L.A.<\/span><\/p>\n

Mar 2018 \u2013 <\/span>Poetry Postcard Project 2nd Annual Reading<\/span><\/i>, E.M. Wolfman General Interest Small Bookstore, Oakland, C.A.<\/span><\/p>\n

Nov 2017 \u2013 <\/span>1111 Reading<\/span><\/i>, Trusty\u2019s D.C., Washington, D.C.<\/span><\/p>\n

Apr 2017 \u2013 <\/span>Carole Pierce Memorial Poetry & Performance Series<\/span><\/i>, Baltimore Poetry Library, Baltimore, M.D.<\/span><\/p>\n

Feb 2017 \u2013 <\/span>Ursula Major: A Feminist AWP Off-site Reading<\/span><\/i>, Big Bear Cafe, Washington, D.C.<\/span><\/p>\n

Feb 2017 \u2013 <\/span>Art in Spite: 3 new books\u2014Wallschlaeger, Pafunda, Graham + Bloof at AWP in D.C.<\/span><\/i>, D.C. Arts Center, Washington, D.C.<\/span><\/p>\n

Jun 2016 \u2013<\/span> In Your Ear<\/span><\/i>, D.C. Arts Center, Washington, D.C.<\/span><\/p>\n

Apr 2016 \u2013 <\/span>Random Name<\/span><\/i>, Dahlak Paradise, Philadelphia, P.A.<\/span><\/p>\n

Oct 2015 \u2013 <\/span>Coven Press, LLC<\/span><\/i>, Unnameable Books, Brooklyn, N.Y.<\/span><\/p>\n

Sep 2015 \u2013 <\/span>Friday Night at Philalalia: Black Radish, Propolis + Bloof<\/span><\/i>, Snockey\u2019s Oyster & Crab House, Philadelphia, P.A.<\/span><\/p>\n

May 2015 \u2013 <\/span>Deceptively Obvious,<\/span><\/i> Open Studio D.C., Washington, D.C.<\/span><\/p>\n

Mar 2015 \u2013<\/span> Bridge Street Books Reading Series<\/span><\/i>, Bridge Street Books, Washington, D.C.<\/span><\/p>\n

Dec 2014 \u2013 <\/span>In Your Ear<\/span><\/i>, D.C. Arts Center, Washington, D.C.<\/span><\/p>\n

Oct 2014 \u2013 <\/span>Poets\u2019 Tent<\/span><\/i>, Courthouse Arts & Craft Beer Festival, Arlington, V.A.<\/span><\/p>\n

Sep 2014 \u2013 <\/span>Bloof + Coconut at Philalalia: Friday night at Snockey\u2019s<\/span><\/i>, Snockey\u2019s Oyster & Crab House, Philadelphia, P.A.<\/span><\/p>\n

Oct 2013 \u2013 <\/span>St. Bonaventure Visiting Poets Series<\/span><\/i>, Allegany, N.Y.<\/span><\/p>\n

 <\/p>\n

TEACHING\u00a0<\/b><\/p>\n

2013-14 \u2013 Lecturer, Department of Literature, University of California, San Diego<\/span><\/p>\n

2012 \u2013 Lecturer, Culture Art & Technology, University of California, San Diego<\/span><\/p>\n

2006 \u2013 Adjunct Faculty, Literature and Writing Department, California State University, San Marcos<\/span><\/p>\n

2004-05 \u2013 Adjunct Faculty, Writing Department, The Corcoran College of Art + Design, Washington, DC<\/span><\/p>\n

 <\/p>\n

CURATORIAL\u00a0<\/b><\/p>\n

2012-13 \u2013 Associate Director of Art & Technology, Culture, Art & Technology Program, Sixth College, University of California, San Diego<\/span><\/p>\n

2010-13 \u2013 Program Coordinator and Literary Arts Curator, San Diego Museum of Art<\/span><\/p>\n

2009-10 \u2013 New Writing Series Coordinator, University of California, San Diego<\/span><\/p>\n

2008-13 \u2013 Director of Literary Arts, Agitprop Art Space, San Diego<\/span><\/p>\n

 <\/p>\n

EDUCATION<\/b><\/p>\n

2012 \u2013 MFA University of California, San Diego<\/span><\/p>\n

2004 \u2013 MA Georgetown University<\/span><\/p>\n

2000 \u2013 BA The George Washington University<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

EXHIBITIONS 2021 \u2013 But_Also, \u201cPosters,\u201d Washington, D.C. Curated by Nancy Daly and Rex Delafkaran 2019-20 \u2013 STABLE, \u201cDialogues,\u201d Washington, DC. Curated by Jordan Amirkhani 2016 \u2013 D.C. Arts Center Nano Gallery, \u201cFacebook Photos by Poets,\u201d Washington, D.C. Curated by Phyllis Rosenzweig 2015 \u2013 Washington Printmakers Gallery, \u201cDeceptively Obvious\u201d Washington, D.C. 2015 \u2013 Open Studio D.C., … <\/p>\n

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